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Founded in 1979 in Zhejiang, China Daerq Office Equipment Co., Ltd. is olympia typewriter manufacturer and designer of office products, school products and stationery. We have engineering development and designing department, mold research department, plastic injection department, printing department, assembling department, sewing department and PVC production department. Owing to hard working of every staff, we have been grown up fast, having accumulated plentiful experience of production, olympia typewriters design and manufacture. Our company has passed ISO9001 International Quality Certification, and all of our products have the characteristics of easy operation, long lifespan, and beauty figures. |
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Olympia STANDARD 300 Typewriter Electronic Office, 250 character multiline correction memory, Automatic relocation, Three margin and tab format storage files, 30 programmable tab positions, 5 year battery back-up memory protection, Automatic paper insertion, Three position impression control, Copy capacity for one original plus seven copies, Foward and reverse indexing, Micro up and micro down, 46 character keys, 21 function keys, Decimal tabulation. The STANDARD in value, reliability & efficiency. With the STANDARD 300, operational simplicity, functionality & economy are standard. Computer interface option allows the typewriter to perform as a computer printer. At Olympia, value, reliability, and efficiency are standard. With the Standard 300, operational simplicity, funtionality and economy and standard. Our superb quality and precision engineering provide you with the standard by which all electronic office typewriters should be judged. The Standard 300 - let it be your standard. 250 character multiline correction memory Automatic relocation Three margin and tab format storage files 30 programmable tab positions 5 year battery back-up memory protection Automatic bold print Continuous underscore Word by word underscore Framing Automatic paper insertion Three position impression control Copy capacity for one original plus seven copies Foward and reverse indexing Micro up and micro down |
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In the late 70s and early 80s I worked as a music engraver, actually apprenticing with an old master. We used the MusicWriter — a big Olympia typewriter that had been rebuilt with musical symbols, and that used those carbon ribbons for the old IBM Selectric typewriters. These gave nice clean, sharp impressions on the paper. And when we were doing projects for major publishers, we also drew all that paper ourselves, each page with a unique layout, and we drew the slurs, ties, hairpins, and beams, all with ink. Even later when I returned to mostly hand-copying my own work — the engraving was simply too time-consuming — my eye had become so critical that I used a calculator to figure out how many millimeters I could assign to each beat on a given line. Music engraving used to be an art form in itself, and I spent a lot of years learning it. It used to matter that your scores looked professional, that your layout was not just correct but thoughtful, easy on the eye. I understand that many users of music notation software today are probably people working in commercial or popular music who need the output to be accurate and readable and not much more. But it saddens me that the designers of these programs have completely thrown the art, the craft of music engraving overboard. I miss those things. |
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